Jimmy Jam and Terry Lewis have been working together for 40 years, producing some of the biggest R&B records of all time. In their four decades of working together, the fedora-wearing giants of R&B music have written and produced over 40 top-ten hits. They’ve worked with Prince, Babyface, Usher, Mariah Carey, Janet Jackson and more — the list goes on and on. All that producing hadn’t left them a lot of time to write songs of their own, but lucky for us, that’s changed. This past July they released their first ever album as recording artists. It’s called “Jam & Lewis, Volume 1,” and it sure was worth the wait. It features vocals from a bunch of their collaborators: Mary J. Blige, Boys II Men, Morris Day and more. The music legends join Bullseye to talk about the new album, the hits they contributed vocals to, and the jaw-dropping synthesizer work they do on the Janet Jackson single “Love Will Never Do.”

The Song That Changed My Life is a segment that gives us the chance to talk with some of our favorite artists about the music that made them who they are today. This time around we’re joined by singer songwriter Rostam. He got his start as a member of Vampire Weekend. He produced the band’s first three records, including some of their biggest hits. He’s since left the band but keeps busy producing. He collaborated on a record with Hamilton Leithauser of the Walkmen in 2016, followed that up with his solo debut, and produced the acclaimed Haim record Women in Music Pt. III. Rostam joins us to talk about The Coast by Paul Simon. Rostam explains how the song helped him visualize and produce the first Vampire Weekend album. Plus, he’ll shares a story about the time he met Paul Simon when the band performed on SNL. Rostam’s second solo album Changephobia is out now.

It’s a unique challenge for an actor to play a villain in a movie or TV show that isn’t just compelling to watch, but also a person you can sympathize with and maybe even relate to. Hannah Waddingham successfully does this in her role on the hit sitcom Ted Lasso. She plays the character of Rebecca in the series, the new owner of a professional soccer team in England. In the role of Rebecca, she commands authority, but almost always with vulnerability peeking through. She balances pain, anger, and compassion in a way that it’s impossible to imagine anyone else playing the role. She’s up for an Emmy for her part in the show, and if you’ve seen it, it’s not hard to imagine why. Hannah Waddingham joins guest host Linda Holmes of NPR’s Pop Culture Happy Hour to chat about her role in Ted Lasso. Plus, she talks about her years of performing in theater and even shares what it’s like to perform in an award-winning musical when a mouse is stuck in your dress.

Uzo Aduba first rose to fame playing a character known as Crazy Eyes. It was on Orange Is the New Black, a part of the first class of original TV shows on Netflix. Crazy Eyes, whose real name is Suzanne, was one of the many prisoners in the women’s correctional facility the show focused on. Aduba won two Emmys for her portrayal of Suzanne, one for comedy and the other for drama. Since Orange is the New Black, Aduba has gone on to even bigger and better things. She played Shirley Chisolm in the Hulu miniseries Mrs. America. She’s performed on Broadway. And, recently, she’s starred in the HBO series In Treatment. So we’re thrilled to have Uzo Aduba on the show, and just as excited to have our good friend Tre’vell Anderson interviewing her.

Zumbi, born Steve Gaines, made up half of the Oakland duo Zion I, who were stalwarts of the Bay Area hip-hop scene for decades. Zumbi died at 49 and what follows is an appreciation of his art and music. Jesse shares some words about Zumbi and we play a clip from Zion I’s 2009 live performance at SF Sketchfest.

On the latest episode we welcome back Sam Richardson! His breakthrough role came in HBO’s Veep. The political satire starring Julia Louis-Dreyfus where everyone is terrible, mean, incompetent, and they all hate each other. Everyone, except Sam’s character, the cheerful, incorruptible Richard Splett. Sam is also a writer. With the help of SNL alum Tim Robinson, together they co-created and starred in Detroiters, a show about two buddies working for an advertising firm in Detroit. Sam Richardson has a brand. He typically plays cheerful, friendly characters who are usually so nice they end up getting in their own way. Recently, he’s been trying different kinds of roles. He has the lead role in horror comedy Werewolves Within, and he starred alongside Chris Pratt in the sci-fi action film The Tomorrow War. He joins Jesse Thorn to talk about branching out, Detroiters, and what it was like growing up between the United States and Ghana. Plus, they’ll discuss some of his funniest bits from Tim Robinson’s sketch comedy show I Think You Should Leave.

Odds are, you probably know Aidy Bryant from Saturday Night Live. She’s been on the cast now for almost a decade. She’s been on the cast now for almost a decade. On the show she’s done killer impressions, sang on a handful of memorable SNL songs, and starred in numerous skits. For the last few years, Bryant has also starred in and written for her own show: Shrill. The show follows her character Annie, a struggling young journalist who is determined to change her life without changing her body. It just wrapped up its third and final season on Hulu, and it has earned Bryant an Emmy nomination for best lead actress in a comedy series. She’s also up for best supporting actress in a comedy series for her work on Saturday Night Live. Guest host Tre’vell Anderson chats with the Emmy-nominated actor about Shrill and her personal connection to her character in the show. She also shares the fun way she found out about her Emmy nominations. Plus, she looks back on some of her favorite moments from both Shrill and Saturday Night Live.

Jonathan Majors has been acting professionally for just under five years now. He’s done theater, TV, and starred in movies. In that short amount of time, he’s become one of the most captivating performers in Hollywood. He was in two of our recent favorites: Spike Lee’s Da 5 Bloods and Joe Talbot’s The Last Black Man In San Francisco. On screen, he’s charismatic and charming when the role calls for it, and he can turn to vulnerable and broken almost instantly. He’s the kind of actor that just helps take the story to the next level – he has a sort of magnetic quality. Watching him, you can easily lose yourself and forget about other performers. Recently, Majors earned an Emmy nomination for his work on HBO’s Lovecraft Country. Jonathan Majors joins us to talk about Lovecraft Country, and reflects on being the child of a veteran. Plus, he’ll dive into acting theory and craft – and he gets into it, really into it.

50 years ago, in Berkeley, Calif., a restaurant called Chez Panisse opened its doors. It wasn’t super buzzy at the time. The chef, Alice Waters, hadn’t opened a restaurant before. The night they opened, they had a lot of friends helping out, but were short on silverware. They served a four-course menu that cost just under $4. Chez Panisse eventually became known as one of the finest restaurants in the country, if not the world. But what made the place important is that Chez Panisse was one of the first restaurants to champion local, seasonal, sustainable food. If you read up on the history of today’s sustainable food movement, Alice Waters’ name is all over it. To celebrate the 50th anniversary of Chez Panisse’s opening, we’re replaying our interview with Waters from 2019.

We’re revisiting our conversation with Kamasi Washington, one of the greatest living saxophone players. In the studio, he’s played saxophone and arranged for hitmakers like Kendrick Lamar, Flying Lotus, Run The Jewels, Snoop Dogg – and that’s just naming a handful. On his own, he’s a visionary bandleader with over half a dozen solo records to his name. He broke through in 2015, with his three hour long instant classic The Epic – a record that found its way to a bunch of top ten lists. These days, he’s getting back to playing live music. With a handful of shows on the horizon all over North America this fall. Kamasi Washington talks about his time playing sax in bands, as a composer and bandleader. Plus, he’ll reflect on one of his first major gigs with Snoop Dogg and collaborating with Kendrick Lamar on To Pimp A Butterfly. Of course, we also dive into his nearly unbeatable Street Fighter II skills. This interview originally aired in November of 2018.